Musical Identity – do you have one?
Being Many Among globalization scholars, a frequently raised issue is that of cultural identity. With so many cross-connections in our […]
Musical Identity – do you have one? Read More »
When does the music finally end?
In this last post of the series “My Way of Composing,” I cannot shy away from reflecting on the end
When does the music finally end? Read More »
What is music made with?
Music can be made with anything. While reading this post, you might be humming, tapping, or drumming on something. If
What is music made with? Read More »
Where does the music go?
Well, let’s assume then that a process of reflection has already set in motion the fundamental ideas for the composition
Where does the music go? Read More »
Where does the music come from?
The answer is obvious: it depends. And on many factors. For me, the main one is motivation. Why did I
Where does the music come from? Read More »
My Way of Composing – Bruno Angelo
Warning! This is not a recipe! I am about to share, through words and images, a bit of my experience
My Way of Composing – Bruno Angelo Read More »
PianoClass History
On August 18th, 2024, PianoClass completes 26 years making music and art!We are very glad to share with you a little bit
PianoClass History Read More »
Bruno Angelo
I began studying piano as a child, but my involvement with music has always been diversified. Initially, this was reflected
Julio Machado
I was born in the city of Rio de Janeiro, and I was fortunate to have great names in music
Fernanda Machado
From my family, I inherited my first piano, many scores, and the taste for art. The audience has charmed me
Schubert’s Fantasia in F minor, D940, for piano four-hands
First contacts with Schubert and his Fantasia in F minor I encountered Franz Schubert’s Fantasia in F minor, played by
Schubert’s Fantasia in F minor, D940, for piano four-hands Read More »
Henle Lybrary App
Originaly Posted on January 25, 2016 by Wolf-Dieter Seiffert As of today we can put all rumours to rest. It’s true: Henle Urtext